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à Singapour
et à la fin il n’y a presque rien
Le souvenir des influences qui l'ont nourri accompagne un panorama de précédents travaux consacrés à des sites urbains
Jean-Paul Gaultier
qui peuvent durer des mois : évanouissements
Hilma af Klint What Stands Behind the Flowers AMIEL/DEMOS/AUMONT à SingapourIn April 1919, the Swedish artist Hilma af Klint ventured outside her studio to draw the first blossoms of spring. Having spent the previous decade creating an epic series of paintings filled with vivid geometric and organic formsamong that eras earliest explorations of abstractionshe was now embarking on a project rooted in study of the natural world. I will try, she declared, to grasp the flowers of the earth. The resulting watercolors, af Klints
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